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A look at recent columns:

"Now I am not going to stand up, unlike others on the Net, and cry out for a crusade aimed at the TDA building or even Burbank. But I am willing to suggest that if we really want to find a way to extract more dollars from every guest visit that the folks who buy merchandise and plan sales locations around the parks need to think beyond the usual." ~Roger Colton

"Wall-E is simply an amazing piece of animation. Pixar truly does get better with each new film."
~Jon Nadelberg

 
A New Resort for WDW? by Shelly Smith (Fab)

Wing Chao got a fax this week with a description and some pics of the proposed replacement for the aborted Disney’s Pop Century Resort: The Legendary Years.    

Instead of the roaring 20s and Fab 40’s, visitors to the new resort will see some more familiar Disney faces: The Little Mermaid, Captain Jack Sparrow and Nemo, for example.

The resort, which stood unfinished for a good seven years or so, has to be demolished and rebuilt from the ground up if there’s a new resort to be built, which makes for a great opportunity for Disney to fulfill a growing demand for more “Family Suites”. The All-Stars’ Family Suites have been a solid hit, and if Disney can provide more rooms that fit five or more for an affordable price, they can get some business back from families whose choice was either to book a second hotel room or to stay off property.

The themes would be family-friendly as well, while less garish than those of their All-Stars counterparts: The Little Mermaid, Finding Nemo, Pirates of the Caribbean, Cars and other familiar, beloved Disney themes.

With the extension of Disney’s Wide World of Sports to ESPN’s Wide World of Sports (including the much-demanded bowling alleys - which will, unfortunately, probably NOT be called “Alleys in Wonderland II) this resort could provide a richly-needed separate place for those pesky cheerleading groups that seem to take over Disney’s All Star Resorts.

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Memories of the Adventurers' Club

Former member Kristian Truelsen put these up on Flickr:

http://flickr.com/photos/truekkris/sets/72157607649415810/

Perspective and a Day at the Park by Roger Colton

If you cast about the Disney blogosphere, lots of folks are willing to share thoughts on why's and where-fore's. And in many cases, you'll read all about how things are. Sometimes in excruciating detail...

I will be the first to admit that if I had the time and the money, I would probably spend more days at Disney theme parks than I do now. Even with my Premium Annual Pass for Disneyland, I am lucky if I manage to visit more than five or six days a year. And I've done that off and on for many years. So there just is no pressure to try and do every attraction and see every inch of either park every time I am in Anaheim. My last visit was in September with a group of friends who had come down to Southern California for a convention and this was their "day off" so to speak. We had a nice lunch and a nice time in all of nine hours or so.

But think for a minute about another demographic. The folks for who a visit to a Disney theme park is a once-in-a-lifetime experience.

Many of those folks are families. Dad, mom and the 3.25 children. They've scrimped and saved, likely for years, to have this one visit. If they're lucky, perhaps their local AAA club has sold them multi-day passports - maybe 3 or 4 days. Perhaps they even purchased one of the packages that AAA sells for the Walt Disney Travel Company. If the budget allowed, maybe this mythical family is staying on property. More than likely, they got a deal for one of the Good Neighbor properties along Harbor Blvd.

So, unlike myself, what they see is through fresh, unjaded eyes. They're going to experience it all for the first time. That moment when they either exit the Mickey & Friends parking structure and board a tram or catch the Anaheim Resort Trolley from their hotel is still full of magic. And walking up to the Disneyland Main Gate isn't just another line for them. It's the beginning of a grand adventure.

You've seen these folks. All happy and smiling, when the Photo Pass photographers alertly set them up for a family photo right in front of the Mickey floral arrangement with the Main Street Station of the Disneyland Railroad right behind. And if fate is kind, one of the steam powered trains will pass by at the right moment to add even more magic to that scene, now captured digitally for posterity.

Walking into Main Street's Town Square, these folks don't notice the things that set off some Annual Passholders. They're just too busy taking it all in for the very first time. Instead of looking for peeling paint or burned out light bulbs, they've spotted Mickey Mouse over in front of the Disney Showcase and they're headed to meet him.

If we were to follow on along with this family, we would see how their day unfolds. Likely, we might watch as the magic of the moment plays out with a father watching his daughter smile as they're off to Neverland aboard a flying pirate ship. Or watch Mom and Dad smiling as they video the kids taking flight with Dumbo. Maybe Dad will be chosen to try and pull the Sword from the Stone, only to fail as he must. Perhaps we would watch as a Castmember trades a pin with a guest; maybe even their very first trade, with all the smiles.

For me, that kind of magic is worth every day I can visit Disneyland. Sure, if I were to spend the time, I could count all of the outdoor vending carts and bemoan their proliferation. But that's not why I came, so I'll pass on that particular exercise.

If you recall the Disney film of Pollyanna, there is a line close to the end (which I'll paraphrase) that sums up my point today.

"When you look for the bad... you surely will find it."

That family? They didn't come looking for the bad, so they're probably not going to find it. Instead, they came looking for the good things that they've heard about or even may remember from an earlier, perhaps childhood, visit. They came in search of the magic; that kind of magic Walt Disney had in mind for them when Disneyland was still just a dream.

Maybe when it comes to those of us who are lucky enough to visit now and then, we all should do our part to help make things a bit more magical. Could be as simple as saying "thank you" to that Castmember who sells you that soft drink. Or not worrying about someone trying to catch up with the rest of their family ahead of you in line. Maybe even something as simple as a smile when asked "How many in your party?" It all adds up, friends. Really.

I've had my share of less than magical days at the Park. We all have. But when you think on it, we all were lucky enough to be at Disneyland. And there are plenty of folks every day who wish they were there, but aren't.

As I've said many times, my worst day at Disneyland beats my best day at work. Still true, lots of years, miles and days in Anaheim later...
 

Fab on Mice Cream

When I was a kid, we had one movie theater in town, Mission Theater. You could see movies for a dollar. We got Star Wars in August of 1977. To see a first-run movie, we had to drive to Carlsbad or to the drive-in in Oceanside. I'm still impressed by stadium seating. So imagine my delight at my first look at the El Capitan, about ten years or so ago. It's my favorite movie house, and the most beautiful. Roger Colton's The Blue Parrot has a piece about it that I wrote.

Let's talk a little more about dessert, shall we? Yes, yes, eat your popcorn during the movie, but definitely save room for dessert. Disney's Soda Fountain and Studio Store is more soda fountain, less in-your-face marketing, and it's all good. We just had dessert there, but next time I'm trying the French Dip - you can always tell a restaurant by their French Dip.

This time, I had the peppermint sundae, a heavenly treat of peppermint ice cream, marshmallow and chocolate that was so good I actually finished it. And it's HUGE. The black and white is the favorite of Dick Cook, head honcho of Walt Disney Pictures - it says so right there on the menu! He also insisted on a brand of ice cream local to his hometown - Dewar's.

Here's a copy of their pretty extensive (for an ice cream joint) menu:

click for a life-size version of each side of the menu.

Practical matters: only park at the Kodak Theatre (Hollywood and Highland, home of the Big Gold Elephants) because that's the only place where the El Cap validates - 2 bucks, not bad for the neighborhood.  Get your tickets via their phone number or website: 1-800-DISNEY6 or www.elcapitantickets.comI got my Sleeping Beauty tickets in the mail two days after they were ordered, along with the above menu and a nice map/directions card.  Class act, those El Capos.
 

 
 
Roger Colton takes a walk right down the middle of Main Street, USA.
Jon Nadelberg on Wall-E -- It's a Great Big Horrible Tomorrow

I saw Wall-E today with my kid. I did not have high hopes for this film. To me, it looked like just another dystopian future where the Earth has been wrecked and a couple of robots find happiness amongst the ruins. I’ve seen it before, or something close enough, several times now. Then there was the review in the San Francisco Chronicle that said while the beginning was fantastic, it started to droop and fall apart at the end. I put a snotty comment about the film in their comments section for the review. I’m all about snotty comments in the San Francisco Chronicle comments sections.

But the kid was dying to see this film, and I have to tell you something. This was really a fun movie! Yes, it followed the formula that I laid out in the Kung Fu Panda review, but it was not quite as noticeable and if the story was a bit familiar (robot has unpleasant existence, something changes for robot, robot starts to be happy, robot has bad time falls to a low, gets enthused, inexplicably saves the day), it’s disguised moderately better than it was in Kung Fu Panda and is overcome with absolutely stunning visuals. The visuals are particularly striking when compared to what was seen in a preview for an upcoming Disney flick called Bolt, which is a CGI animated feature that looks to be just under "Toy Story" quality in its animation (I don't want to bag on it, though, it looks like it will be a really cute film). Wall-E is simply an amazing piece of animation. Pixar truly does get better with each new film.

I even liked the opening cartoon, involving a magician and his magic hat. It was quite funny. It all went by very quickly, and I'm now the proud owner of a Wall-E toy and Xbox video game, purchased at Toys R Us. Not only that, the theater we saw this at was entirely sold out, and so were several other showings. Here goes another billion or so bucks into Disney's coffers.

A lot of suspension of disbelief has to take place for this film to be enjoyed, though. Yes, it’s a cartoon, but the realism of the animation is getting to a point where it’s starting to look less like a cartoon with each passing feature (until you start seeing humans, which definitely still look like cartoons). This was one of the problems when Bambi first premiered. The realistic settings of the film were considered a bit jarring against the anthropomorphic behavior of the animals. It didn’t quite sync up for audiences back then.

Similarly, this animated feature looks perhaps too realistic, and that made me think about how unrealistic the situation was. Why were all the other robots broken down? How did this one robot develop this personality? How could this entire disaster have happened in the first place? These are silly things to think about, sure, but if it looked more cartoon-like, would I have thought about them? Who knows. Ultra-realism in animation may be a great end unto itself, but it might not always serve the story as well as other styles might.

One other thing that crossed my mind in the opening scenes of the film where Wall-E rides around a derelict city was a show on earlier this year on cable. "Life After People" on the History channel examined what would happen to our buildings, and everything else we left behind, if we simply vanished as we do in this movie. According to them, after about 1000 years, cities would have all toppled, and be covered with dirt or other plants. They would no longer even be recognizable as buildings, derelict or otherwise. This is in good weather conditions. In the film, there are strange weather storms that go through the city, yet the city looks like it was abandoned a day or so earlier, with even electricity still working. Without humans to maintain what we construct, our constructions collapse to rubble within a few hundred years. Maybe because the movie shows the planet to be toxic and water is not around, so these types of things are postponed. But still, nothing lasts forever.

Except garbage, apparently. Where did all this garbage come from? Why is it everywhere? Even on the spaceship. They keep producing garbage and dumping it into space. Where are they getting the material to create this garbage in the first place? And considering that Pixar is responsible for a huge amount of completely needless junk in toys and other promotional materials that go along with their movies, I find this entire idea as coming from them to be not just a little ironic.

The film does have a very good ending, and you get a bit of an epilogue at the end over the closing credits. I was very glad to see an uplifting and positive end to the film which seemed a rather bleak and dim view of humanity up until that point.

Which brings me to my last point, there are supposedly several attractions being planned for Disneyland based on this film. One is supposed to be in the running for replacing the Carousel Theater when Innoventions goes away, or so I read. I do not know what they are planning.

With that said, while the film is fun, enjoyable, and has a positive message at the end, unless the attractions that they are contemplating also are positive, optimistic and uplifting, they are once again absolutely the wrong thing to put into Tomorrowland. Tomorrowland is about a great big beautiful tomorrow. This film shows our future to be a desolate wasteland, with people reduced to being revolting blobs of flesh constantly eating and zoned out on TV. That is not a good view of the future. If Disney goes ahead and creates an attraction based on this film that is about how horrible the future is going to be, they will have once again managed to utterly fail in capturing the idea of the area, and what the promise of the future may bring.

Aside from it being yet another cartoon adaptation, the subject matter simply seems inappropriate. While maybe not as horrifically bad as “Honey I Shrunk The Audience,“ where science and scientists are flat out ridiculed, Wall-E presents a view of the world where high technology has destroyed and enslaved us.

It makes for a fun cartoon, but I don’t want that presented to me as my future.

 

Roger Colton - Nostalgia for Darkened Rooms

"My first Jim Hill Media column appeared on October 8, 2002 and this column celebrated that anniversary on October 7th, 2003. In this installment, I related how some things are best done in the dark. Relax... It's only a look at movies and the places that I used to watch them."
 

Jim Hill Media: Jim rails at Pixar again!

(just kidding)

WDI Management Searches Goose Corpses for Golden Eggs (title mine)

"Where WDI was once where every Disney dweeb who dreamed of designing rides & shows dreamed of working ... Now there are lots of other opportunites out there in the world. Projects like Dubailand where money literally is no object. Where ride designers can spend as much as they want to create state-of-the-art attractions that are meant to be better than anything currently found at the Disney parks."

Comments: Michelle@FabRocks.com